The F-sharp phrygian mode starts on note F-sharp. The sequence of steps forming the Phrygian dominant scale is: When related to the scale degrees of the major scale, it reads: When the Freygish scale is used in Klezmer music, the sixth degree may be left unflatted if it is melodically approached and left from above, or the seventh degree may be raised as well. The white keys are named using the alphabetic letters A, B, C, D, E, F, and G, which is a pattern that repeats up the piano keyboard. Middle C (midi note 60) is shown with an orange line under the 2nd note on the piano diagram.  Related scales in Spanish traditional music with chromatic notes in the second degree, varying between a semitone and a tone, are also known as "gama española" ("Spanish gamut") or "gama de Castilla y León" (gamut of Castile and Leon) and, though found all over Spain, are particularly common in Castilian and Leonese traditional songs. This step shows the descending F-sharp phrygian mode on the piano, treble clef and bass clef. So assuming octave note 8 has been played in the step above, the notes now descend back to the tonic. In the Berklee method, it is known as the Mixolydian ♭9 ♭13 chord scale, a Mixolydian scale with a lowered 9th (2nd) and lowered 13th (6th), used in secondary dominant chord scales for V7/III and V7/VI. In music, the Phrygian dominant scale is the fifth mode of the harmonic minor scale, the fifth being the dominant. The tonic note (shown as *) is the starting point and is always the 1st note in the mode. Note 1 is the tonic note - the starting note - F#, and note 13 is the same note name but one octave higher. , It is sometimes called the Spanish Phrygian scale, Spanish Gypsy scale (see: gypsy scale) or Phrygian major scale (see: phrygian mode and major scale) and is common in Flamenco music. Find out more.  The main chords derived from this scale are I, bII, iv, and vii.. The modes that have a subtonic as the 7th note are dorian mode, phrygian mode, mixolydian mode, aeolian mode and the locrian mode. The sequence of half and whole steps that comprise Phrygian dominant is derived from the harmonic minor scale, of which Phrygian dominant is the fifth mode. The audio files below play every note shown on the piano above, so middle C (marked with an orange line at the bottom) is the 2nd note heard. Feed it with your chords, tweak one of the generator presets to your liking, reap the rewards. , but obviously the note names will be different for each mode / key combination. , The flatted second and the augmented step between the second and third degrees of the scale create its distinctive sound. a treble or bass clef), there is no possibility of having 2 G-type notes, for example, with one of the notes needing an accidental next to it on the staff (a sharp, flat or natural symbol). In this mode, the 7th note is called the subtonic, and it has a whole tone (two semi-tones, two notes on the piano keyboard) between the 7th and 8th notes. Since this mode begins with note F#, it is certain that notes 1 and 13 will be used in this mode. The 7 unique notes in a mode need to be named such that each letter from A to G is used once only - and so each note name is either a natural white name(A..G) , a sharp(eg. 1st note is always tonic, 2nd is supertonic etc.) Scale degree names 1,2,3,4,5,6, and 8 below are always the same for all modes (ie. The Lesson steps then explain how to identify the mode note interval positions, choose note names and scale degree names.. For a quick summary of this topic, have a look at Mode. F# Phrygian Dominant: The big list of chords and scale notes. To count up a Whole tone, count up by two physical piano keys, either white or black.
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